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sarahredhead

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The photograph, "Negative Octopus" by Sarahredhead (Sarah Jackson) has won first place in the "Altered Category" of the Smithsonian Institute's 2011-2012 International Photography Competition. The entry was chosen by judges out of over 260,000 entries form over 90 countries. Sarah's photograph will be featured in Smithsonian Magazine's July 2012 issue, adn a print of her photograph will hang in a gallery in the Castle at the Smithsonian Museums in Washington, DC.
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My Negative Octopus Negative Octopus by sarahredhead has been chosen as one of the top ten finalists in the 9th Annual Smithsonian Institute's Photography Competition!! It was chosen from over 260,000 entries from over 90 countries, which makes me feel like a winner already! If he wins, he will hang in the Smithsonian for one year! He will also get to play among the pages of Smithsonian Magazine's Photography issue....

My heart might pop from the excitement!

Here he is one the Smithsonian website:

www.smithsonianmag.com/photoco…
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THE OFFICIAL HUBPAGES INTERVIEW!


HUBPAGES: First off, congratulations on winning first place in the photos section of the HubPatron of the Arts contest! Were you surprised to find you had won, or did you know you had created a major contender?


SARAHREDHEAD: I was shocked. I read hubs almost everyday, and because this contest was dear to my interests I read several of the entries. The talent represented on HubPages is intense, and my admiration extends to several hubbers. I got so excited when the contest was announced; this is the first HubPages contest I have entered.  When I sat down to write my article, I wrote from the heart. I simply defined why I love photography and then chose about twenty of my all-time favorite images. I remember telling my husband I felt my entry to be too simplistic. He said, "Let the photography speak for itself."


HUBPAGES: In your Hub, you share how you were given your first camera at age 10. Would you say your photography has changed significantly over the years, or is there still a similar feel to it all?


SARAHREDHEAD: Absolutely. I never included people in my earliest photographs, and I am not sure why. I wish I had more photos of loved ones in my youth.  As an adolescent, I always focused on animals, architecture and trees. It wasn't until later, when I was a young adult that I shifted to capturing portraits. About ten years ago I became enthralled with industrial photography, which stays with me to this day. Lately I have seen some incredible photographs by other artists using the genre of street photography. My fascination with such imagery has led me to begin experimenting. I have definitely improved and changed over the years. It is fascinating to see how different styles and subjects have defined different stages and events in my life throughout the years.  My photographic portfolio is my journal.


HUBPAGES: You also share in your Hub that you're a purely amateur photographer and care less about special settings and fancy cameras - why is this the case?


SARAHREDHEAD: First and foremost it was a total lack of funds. For years I used any camera I could get my hands on, but I always wished for the best equipment! I remember in college I bought $4 disposable cameras at WalMart  just to have one at all times. Some of my best works came out of those cheap disposable cameras. I couldn't afford photography classes, and we never owned a computer. I read books on photography and even dreamed of having my own dark room. I was a self-starter and a fly-by-the-seat-of-my-pants kind of gal so instead of worrying about my inferior devices I concentrated on recording whatever scene caught my interest.

By the time I did get a decent camera, the world of photography had already shifted to the digital realm. This was intimidating for me because other photographers were excited about the latest equipment and I had no idea how to speak the language. How ironic is it that my old school camera days required more hands on manual skills whereas my newer cameras required a vast array of "easier" but frightening technical knowledge. I am not adept at technical knowledge. For many years I used a Kodak EasyShare point and shoot. It was a sweet camera, and it was user friendly. The Kodak ushered me into the digital age. I would show up to take pictures at a friend's wedding and they would take one look at my camera and laugh. "You're taking pictures with that? I have THAT camera…"I think they were expecting big things.

Many of my fellow shutterbugs proclaimed the better the equipment the better the quality and talent. I knew this was not true. I encountered some prejudice over the years concerning the status of my equipment, which was completely ridiculous. I remember I once courted a gallery in the hopes they would show one or two of my works. The owner asked me what kind of camera I used to shoot. I told him I was using a friends Sony. He never even looked at my work! It is bogus, I know, but it reminds me to openly encourage anyone who is passionate about photography! Ignore the Photog Snobs (but respect the true professionals!) and start shooting. Experiment, learn, make mistakes and grow.


HUBPAGES: What kind of camera do you shoot with?


SARAHREDHEAD: Last year my husband bought me a Nikon D60 and for the first six months I used it in manual mode, with an old Nikon Nikkor 24mm lens my dad used when he was in college. I loved it. Now I alternate between the old lens and a newer digital lens. I am much less intimidated by the technology. To assist my research I watch a lot of Youtube and read tutorials on both HubPages and Deviant Art. My goal is to learn how to use photoshop. The sky's the limit!  


HUBPAGES: Most of the photos in your Hub emphasize color- either in vibrant bursts or altogether absent. How do you decide whether to remove all or some of the color in an image or whether to emphasize it?


SARAHREDHEAD: My life as an artist has placed me in the habit of dictating strong visual ideas using my imagination. I have done oil paintings for many years, and most of those images are composed from my imagination. I have a habit of seeing my photographs as though they are also paintings (of a sort). When I view some of my photos, I immediately see them some other way. I can visualize an image in black and white, pastel, or any other combination. A grand example would be the image entitled AUTISM. The original photograph was remarkable. Rosemary's jumpsuit was primary red and the woods in the background were made up of strokes of vivid greens and rich browns. The first time I viewed that image I saw the rooster competing for attention. To allow him his chance to show off, I silenced everything else by removing their colors. I fell in love, and so did Rosemary.

Even as a very young child I was smitten with black and white photography. Sometimes a very ordinary image becomes extraordinary when I transform it into a monochromatic piece. Suddenly, all pretensions are stripped away and the simplest, rawest, purest most basic reality is revealed. For some reason, some images thrive in black and white. Such imagery is frank and honest and acts as a validation of some bygone memory, era or intention. I used to think of black and white photography as the skeleton of all other photography. You can begin with the bones of a great photo and build upon that with color, texture…whatever. I will look at my color photos and see the strength of the bones beneath. I also enjoy sepia tones, but my judgment is not as good when it comes to sepia interpretations. Hopefully I'll get the hang of it.


HUBPAGES: How did you decide on which photos to include in your Hub?


SARAHREDHEAD: I held my breath and picked my personal favorites. My family and friends have opinions about which photographs are their favorites, and they give me excellent feedback. However, this article was very personal so I risked choosing my private collection. I attempted to choose a variety of styles – even the mistakes and the experimental ones. I wanted to offer samples of my works the way the waiter at a fine restaurant walks by pushing that fancy dessert cart. I want the viewer to look at those images and feel as though they have several choices.


HUBPAGES: If you could encourage people to try one new thing with photography, what would it be?


SARAHREDHEAD: I'm trying new things right now! A friend let me borrow a macro lens, which I have never used. It is weird and I am not yet sure what to do with it, but I plan to figure it out.  Try new lenses. A different lens opens up an entirely different world for a photographer. It also keeps you on your toes! If your camera has a fixed lens, try something you have never done before, like extreme close-up portraiture, or night photography. My favorite moments are when I make a mistake and find a way to utilize that process (an example would be COMETS or FIRECRACKER) For me, it is all about fun and adventure.


For A link to Sarahredhead's award winning article on photography, visit here: sarahredhead.hubpages.com/hub/…

Link to published interview: blog.hubpages.com/2011/12/sara…

Link to article in Wall Street Journal: www.marketwatch.com/story/in-s…
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     When I was 10, my parents taught me how to use their Minolta camera. I had spent years studying the glossy pages of National Geographic and I was also no stranger to the art museum. Learning how to use that camera enabled me to record a living journal of my life, as well as the lives of others. Photography changed my creative perspective of the world. Photography is still my hobby, my outlet, my voice and my addiction. Forget the tedious technical talk of apertures and settings; ask me about my secret life as an amateur photographer and I will tell you that each photograph is a story. My photographs say a lot about who I am and how I see the world. Whether I strive to capture the personality of a loved one or preserve the fleeting beauty of nature, photography is the means by which I create a vibrant journal of the world in which I live.

       I fall into a silent category when it comes to photography. I shy away from the uber-professional camera mongers because my tech speak is sorely lacking. My professional friends strive to maintain the best equipment and achieve an excellent status in the eyes of their peers. I wish them the best. Neither am I the occasional hobby photographer who totes her camera on vacations and documents her children's birthday parties. In such circles I am enthusiastic... perhaps a little too much so. I find myself inbetween - where the fervor of photography meets the penchant for a good time. My camera is almost always with me - either in my backpack or in my car. If it interests me, I capture it. If I feel like a moment is slipping away, I document it. If I stumble upon beauty, I keep it forever. You do not have to be a professional photographer to take excellent photos. More importantly, you don't have to be intimidated by equipment and technology; there are so many user-friendly cameras on the market today. If you don't know where to begin, start by taking photos of those you love most! The more you use a camera, the more comfortable you will become. For folks like me, a camera is another extension of the mind and body. I do it because I love it. What more does a person need? Your imagination is the limit.

Link to my article, which won first place and an international HubPages award for HubPatron of the Arts!

sarahredhead.hubpages.com/hub/…
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Colors and their Emotions


      Imagine the world without colors. The blind see darkness, yet imagine colors. We are inundated with a barrage of colors each day and yet most people rarely think about how colors affect them. Pigments are universal and they are an ever-present element in our lives. There are five primary colors, and from those we can make more hues than the eye could ever behold. As a life-long student of art and theatre, I have always paid close attention to colors and their meanings. Colors are connected to art, music, literature, fashion, mood, psychology, cuisine, the floral industry and countless other aspects of our lives. Pierre Bonnard once said, “Color is an act of reason.”



      RED is a great starting point. Red has an ancient history of love and hate. Blue-reds, or cool reds, are associated with love and passion. Some of red’s positive connotations are also historical. The Chinese have used red to attract good luck for centuries. In Sweden, the wealthy wore red to denote their status. The Aztecs associated red with the heart and blood, and wore red to symbolize the miracle of life and strength. In many countries, brides have worn red dresses on their wedding day for generations. Red can symbolize sensuality, fertility, luck, wealth, power, beauty, royalty, and energy. Artists use red to attract attention upon the canvas, and often associate cool reds with scenes of passion. Red stimulates the part of our brain that triggers primal responses for both love and war.

Warm reds, including vermillion and other orange reds, signify anger and destruction. Nations and cultures have used red to demonstrate wars, armies, communism, negative energy, violence, mourning, poison and much more. Artists use reds when depicting bloodshed or sinful lust. When the Roman Catholic church used the word satyr to replace the Hebrew word se'irim (“the hairy ones or demons from the places of waste”), the satyr became their mascot for the devil. They painted him red to signify the flames of hell, as well as the sinful side of man. Regardless of its usage, no other color in the spectrum is as diverse as red. Love and hate, war and passion, Cupid and the Devil: red evokes strong reactions and inspires action both mentally and emotionally.



      BLUE is popular. From the vast expanse of sky overhead to the deepest depths of our oceans, this color dominates the natural world. Is it any wonder blue is associated with all that is calm, strong and steadfast? Blue is equally favored among genders. Light blues are pleasant and create a sense of contentment and well-being. Light blue is associated with peace and tranquility, spiritualism and a sense of the eternal. Dark blue is associated with intelligence, decorum, professionalism, and tact. Many cultures use dark blue for corporate and military uniforms. Mid-range blues can initiate feelings of sadness or depression, as well as sedation and complacency. Hence the musical genre which is aptly called the blues. Cobalt blue is on the par with a bright red; evoking an immediate attraction in the viewer. In many cultures, blue is associated with water and all that is nautical. Our planet is called the Blue Planet, or the Sapphire planet. Blue also represents the unknown, as in “the deep blue” or “out in the blue”. Blue is a color associated with appetite suppression, and some diets utilize this color. Raoul Dufy once said, “Blue is the only color which maintains its own character in all its tones... it will always stay blue; whereas yellow is blackened in its shades, and fades away when lightened; red when darkened becomes brown, and diluted with white is no longer red, but another color – pink.”



      YELLOW is a force all its own. Yellow will make you look like a million dollars or like you suffer an illness of grave proportions. Yellow has many positive traits, none more obvious than its aid in depicting countless yellow sunshines on works of grade school art. Yellow is a powerful pigment in its own rite; it takes all or nothing. On its good side, yellow triggers the part of our brain which stimulates appetite. Many restaurants use yellow because of this. Yellow also encourages communication. Yellow can create a sense of warmth and joy, even elation. In the real estate world, yellow houses outsell any other color because yellow is associated with coziness and our nesting syndrome. Yellow can be cheerful and happy. However, yellow can be easily tainted. Artists know yellow can turn ugly with little effort. Yellow can be a warning and it can be a demand. Yellow has been linked to deceit and cowardice. It can symbolize injustice. Jews were forced to wear yellow arm bands during the Holocaust. Yellow is the happiest color on the chart, and yet it reminds us of the sacrifices made along the way. Artists use yellow with great consideration, as it is less forgiving than the blues and the greens. Curiously, people connect the color yellow to tastes more than any other color. Yellow and Lemon are the dominate combination! In the floral world, yellow indicates infidelity. In the theatre world, yellow costumes often represent the traitor or the infidel. For all its controversy, yellow is necessary. Yellow is Lance Armstrong’s favorite color; "Yellow wakes me up in the morning. Yellow gets me on the bike every day. Yellow has taught me the true meaning of sacrifice. Yellow makes me suffer. Yellow is the reason I am here."



      GREEN, like blue, is everywhere in all its many variations. Nature is covered with green, which is why this color is associated with life and fertility. From the Celts to the Greeks, green has represented the spiritual and the honorable. Green is the only color known to possess both a warming and a cooling effect. Green is the symbolic color of life. Classrooms and doctor’s offices are often painted green to promote healing and a calm state of mind and body. Green has few negative aspects, including inexperience and jealousy. In the world of theatre, green are used to signify a character’s envy. Most cultures agree on meaning when it comes to the color green. Green is alive and well, and a pigment worthy of renewal. The “Green Movement” is about repurposing and recycling. “Going green” has a positive impact on our environment. Green thumbs make beautiful gardens. Green means go. “Green is the prime color of the world, and that from which its loveliness arises.” (Pedro Calderon de la Barca).



      PURPLE is passionate if nothing else. Purple is the favorite color of royalty. Some cultures believe purple to be the perfect balance of harmony and spirituality – as it is created by combining the warmest and coolest color on the color wheel. Purple is also linked to mystery and intrigue. Purple is the color of our imaginations. Inventive and creative, purple has a history. Because purple is the rarest color in the natural world, ancient cultures took great pride in purple dyes, which is why the color was often reserved for royalty. Queen Elizabeth I enacted the Sumptuary Law, which dictated that only members of the royal court could wear purple! Cleopatra adored purple. The U.S. military issues Purple Hearts for bravery. King Arthur associated purple with wisdom. Purple is an intelligent, creative, passionate color with sophisticated connotations. Purple is the color most often associated with secrecy and magic. Rudyard Kipling wrote, “He wrapped himself in quotations, as a beggar would enfold himself in the purple of the Emperors.”



      ORANGE is happy. Orange is bright and needs the sunny disposition of yellow combined with the love of red to exist. Orange stimulates creativity, imagination and even appetite. Orange represents energy. Native Americans used orange to communicate a sense of kinship, while early Christians used orange to symbolize gluttony. Perhaps that is why too much orange can be a bad thing. In theatre, a character who brings about change may wear orange. Orange exudes warmth and safety, but can also extend into a warning. Next to red, orange is one of the most eye-catching colors in the spectrum. People who wear orange tend to be friendly, energetic, and talkative. Wassily Kandinsky said, “Orange is red brought nearer to humanity by yellow.”



      “BLACK is the queen of all colors” said Pierre Auguste Renoir. He knew. He was an artist who saw necessity in the color black and its relation with his paintings. Black has been treated unfairly over the centuries – often associated with death and plague. Black is the absence of all color. A little black defines the rest of the color world and acts as a stage for the colors. The negative connotations associated with black include murder, shadows or secrecy, dark magic, evil, depression, sadness, divorce, old age and so much more. Any color so dark and so heavy must be strong enough to bear the weight of assumption. Most people are all too familiar with the insulting side of black, but it also has a good side. Black is considered by artists to be a sophisticated color and its usefulness is eternal. Like Yen and Yang, Black compliments white and any other color it sees. Black has no gender. Black grabs our attention. Black words on white paper educate and enlighten. While we may be afraid of the dark, we understand it is half of the world we know. Black and white photography is a revered art form. Black is associated with justice and knowledge (look at a judge’s robes). Black makes us look thinner and even classy. Tuxedos are black. Limousines and sports cars are often black. To earn a black belt is an achievement. Black is as good as it is bad.



      WHITE is an anomaly. It isn’t a color. In the science world, white is a combination of every color in the light spectrum. This is very symbolic when you think about some of the connotations of white. People have different reactions to the color white. Some people feel exposed when they view white. It makes them feel cold or sterile, even boring. White can seem functional and unexciting. Like black, white has no variations. White is used to manipulate other hues. White has no gender. White is strongly associated with purity, chastity and spirituality, hence the white bridal gown. White can be classical, but usually ends up being a backdrop for another color. White demonstrates cleanliness, such as the white glove test. Good guys wear white, bad guys wear black. White softens other hues, turning fierce red into loving pink. White can equal blank, as in a blank canvas or a place to start. White animals, called albinos, are considered unique and are rare in the animal kingdom. On stage, white symbolizes a character that is chaste or holy. As Leonardo Da Vinci once said, “The first of all single colors is white…we shall set down white for the representative of light , without which no color can be seen.” Amen.
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